Astronomical Profits from Hunger Games Cows Reviewers into Ignoring Story was Lifted from Japanese Novel
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While I
have often enough murmured the cliche that "nothing surprises me
anymore," that was before sitting down this afternoon to watch a 1999
Japanese film called Battle Royale (バトル・ロワイアル). What shocked me to the core was this. The story
line for American author Suzanne Collins's 2008 bestseller Hunger Games was lifted point by point from the
earlier Japanese bestseller by Koushun Takami (adapted to film in the year 2000). Has author
Suzanne Collins no shame, prancing around the country holding guest appearances
and making gazillions from a foreign movie she copied practically word for word?
Perhaps her publisher’s slick attorneys assumed
the copy and paste job would never get traced back because the original was in
the Japanese language. Aren't there
supposed to be laws against this sort of thing? Or has the publishing
industry fallen on such hard times, that it will prostitute any semblance of
respectability for whatever cold cash it can grub?
Hunger Games Lifted from Japanese Film |
I
hope we’re not seeing a new trend in American book selling, stealing works from
authors living in countries whose social and legal etiquette make them too
polite to sue the crap out of plagiarists? As the book industry has
shrunk to a handful of mega-publishers representing a handful of mega-authors,
I have also noticed another disquieting trend. Too
many American book reviewers apparently
see their job as hobnobbing with famous authors and never ever slapping the
hand that passes out those gilded invitations. How else could New York Times reviewer John Green write that this plagiarized novel
was "brilliantly plotted and perfectly
paced" or that "the
considerable strength of the novel comes in Collins's convincingly detailed
world-building and her memorably complex and fascinating heroine?" A Time Magazine review praised the
book as “hypnotic.” When controversies
such as this arise, any reviewer too arrogant, lazy or cowardly to sit through the foreign
sub-titled original in order to make an honest comparison needs to be fired.
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